Tuesday, February 15, 2011

California Grant Opportunites

We want to make California special librarians aware of a competitive grant opportunity for all California libraries with special collections, including public, academic and ones in museums. It is named the Local History Digital Resources Project (LHDRP) and makes it easy to get a library’s cultural heritage materials online.

If your library is awarded this LSTA grant, it will receive funding to scan 200 items, as well as free training on copyright, metadata, and CONTENTdm. Your images will have great visibility when made freely available on the Online Archive of California and Calisphere. And your community will value the service they provide in collecting and preserving its history!

Share your collections and build support with LHDRP

The LHDRP application process is short and painless. Just tell us what you want to digitize and its relevance to California history.

The application materials for LHDRP 2011-12 is available on the CSL LSTA application page: http://www.library.ca.gov/grants/lsta/apply.html


The due date is April 1st

You may find a flyer here http://www.cdlib.org/services/dsc/projects/docs/lhdrp_flier_2011_FINAL.pdf , which we hope you will share with all who might be interested.

Thank you for your time and assistance in promoting this grant.

Monday, January 3, 2011

Embedded Metadata News

Fresh from the Visual Resource Association's (VRA) email list is this post from Greg Reser, which he has given me permission to repost here. Anyone with a Flickr account should check it out.

Embedded Metadata News

Like all of you, I spent my Holiday break reading about metadata, especially embedded metadata.  One blog post I found was from a Flickr developer in response to a complaint the social media companies "own" and "lock-in" their user's content.  The developer responded by saying that Flickr allows full access to all of the content users upload and create, including Descriptions and Tags, http://laughingmeme.org/2010/05/18/minimal-competence-data-access-data-ownership-and-sharecropping/ .  This is good news because it means that all that work you did tagging your photos is not limited to your Flickr page, you can download it to your computer or share it with other social media sites.  You enter the data once and then reuse it over and over.

Unfortunately, this data access comes via the Flickr API, meaning you have to be a programmer to get at it.  The good news is that some developers have created free or low cost applications to backup your Flickr content.  Best of all, they all have the cute missing "e" in their name.  For those of you have been looking for a way to get your metadata out of Flickr, you might try one of these apps.  The only limit I have found is that these apps do not export any custom metadata that was originally uploaded to Flickr.  So, if used a custom tool like the VRA Photoshop panel to add VRA metadata, it won't be downloaded.  It is possible to do this, just not with these apps.

Flickr Edit (Windows) - FREE (upload/download photos and EXIF and IPTC metadata metadata) http://www.flickr.com/services/apps/72157602367520002/

Downloadr (Windows) - FREE (download photos and metadata EXIF and IPTC metadata) http://www.flickr.com/services/apps/12400/

Bulkr (Windows, Mac) - FREE for basic (download photos), $24.95 for pro (download photos and metadata EXIF and IPTC metadata.  Also exports .txt file of metadata!) http://www.flickr.com/services/apps/72157622874451890/

You can find lots of other useful Flickr apps on the Flickr App Garden - http://www.flickr.com/services/

Besides retrieving metadata for your own photos, this ability could also be put to use for collecting images and metadata from groups.  For instance, you could have faculty and students upload and tag their own photos in Flickr, say of field work they did documenting architecture, and then you could download them and parse out the metadata into your institutional database.


Greg Reser

Arts Library
University of California, San Diego


Wednesday, December 8, 2010

Flatbeds VS Digital CopyStands

There has been a very interesting discussion on the Visual Resources Association (VRA) list serve comparing scanning stations that are flatbed scanners and those are copystands with a digital camera.  The digital copy stand seems to be the favorite among those with extensive workflows because of its consistency and speed.  However, when you are scanning printed material which has been printed using a dot pattern such as most books, brochures and programs, people seem to lean towards the flatbed.  The problem with dot patterns and half tones is moire patterning which is defined at wikipedia.org.as "moiré pattern (pronounced /mwaˈreɪ/ in English, [mwaʁe] in French) is an interference pattern created, for example, when two grids are overlaid at an angle, or when they have slightly different mesh sizes."  Thus, you have pixels and you have dots of ink, which results in moire or ripples across your scan.
Many find a flatbed scanner, which was described by a digital copyststand advocate as a digital camera with a very shallow depth of field, the preferred method with this type of material, because most scanning software have a  descreening function. For those curious, at this time the Epson 10000XL appears to be the flatbed of choice.
However, if you are using the copystand with digital camera set up, some "tricks" of the trade were shared.  The basic one appears to be to rotate the original material, shoot it and then straighten it in Photoshop. The rotation is minimum, about 8 degrees and should be done by trial and error as different printers have different dot patterns.
Another trick offered by the generous VRA listees was to correct  bleed-through from the backing page, by using a sheet of matte black paper can help prevent this, and sometimes help minimize background “checkerboard.”

My thanks to the VRA List, in particular: Rebecca A. Moss, Howard Brainen, Eileen Fry, Mark Olson, Chris Strasbaugh and Ross Wolcott.
For those looking for more information about scanning stations, you can look at Califa's Digital Information Forum   where I have placed several scanning articles and images of scanning stations.

Friday, November 12, 2010

University of Chicago to use Finding Aid for large scale Digitization Initiative

Kathleen E. Arthur, Head of Digitization at the Preservation Department of the University of Chicago Library recently announced their launch of a digitization initiative on the Digipres listserv. What I found particularly interesting is their use of finding aids, but these are not your mother's finding aids. As you can see by reading her post below, their use allows them to catalog at various levels of detail, through the use of EAD tags links placed at various places in the finding aid.

But Kathleen describes the whole project so much better, Read it for yourself.

11/11/10 to Digipres from Katheen Arthur:

The University of Chicago Library’s Special Collections Research Center has a launched an initiative for the digitization of archives and manuscript collections. The digital images are being made available via the online finding aid for each collection. This will recreate for the online user the experience of a researcher encountering the original materials in the SCRC Reading Room, with documents displayed as they are housed in each folder, and with description of the contents in the form of folder headings.

Individual, high-resolution images of each page will be permanently preserved in the Library's digital repository, and can be made available for publication or other research needs. Due to provisions of copyright laws, digitization efforts are currently focused on materials in the public domain, or those for which the University of Chicago holds copyright.

Collections with digitized content now available online include:

For those of you who are interested in the production details, the Large Scale Digitization Initiative is a collaborative effort involving the Special Collections Research, the Preservation Department, and the Digital Library Development Center. The initiative has been guided by definitions of, and requirements for, mass digitization provided by funding agencies such as the National Historical Publications and Records Commission. These guidelines stress expedited scanning workflows, without sacrifice of image quality, and with close attention to preservation concerns, and the use of existing descriptive metadata, such as that provided by a finding aid.

The collections are scanned by Preservation staff. The documents are scanned in color, in the order in which they are filed in each folder, and a .TIFF file is created for each page image. A naming scheme is used for the files which can be extended to other collections scanned as part of the initiative. The TIFF images from each folder in the physical collection are combined into PDFs for delivery. PDF was chosen as a delivery format because of its simplicity, stability and ubiquity. It is expected that the vast majority of users will have PDF viewers on their computers, and will be able to use them to enlarge, decrease, rotate, print, and otherwise easily view the images. Although the images are delivered as pdfs, the tifs of each page will be stored in the digital repository, and will be available if needed for other purposes.

Links to the digital files are added to the online finding aid by SCRC staff. The Encoded Archival Description (EAD) tags chosen allow links to be created at any level of description in the finding aid, from series, to folder, to item, and for multiple links to be attached to a particular description. DLDC staff updated the style sheets to allow display of the links in the finding aids database. DLDC is also hosting the digital files, which will be retained in and delivered from the digital repository.

The procedures developed for large scale digitization of archives and manuscript collections are simple and extensible. Future plans call for the delivery of digital audio files and, eventually, of born-digital content, and for full-text searching of digitized typescript documents, which can be made keyword searchable through optical character recognition (OCR).

Large Scale Digitization Team include: Eileen A. Ielmini, Kathleen Feeney, Daniel Meyer, Kathy Arthur, Karen Dirr, Charles Blair, and the student scanners in Preservation.

Tuesday, October 19, 2010

Did you catch the FADGI?

A new alphabet soup for you FADGI - Federal Agencies Digital Guidelines Initiative is a great resource for the latest in digital guidelines. Check it out at http://www.digitizationguidelines.gov/stillimages/